I observed two little boys at the park the other day. Everything was peaceful until Jesse started filling up the hole to China the other boy, Micah, had been digging.
Micah doubled over with grief putting his little arms out trying to protect the hole he had worked so hard on. Jessie, the hole-filler, was not an aggressive type, but he definitely wanted to fill in the hole. It seemed important to him. Jessie looked bewildered at Micahs’ unbridled emotion When Micah regained his composure and told Jesse he was digging “a really big hole” things settled down to an uneasy truce. But maybe that’s because the moms were nearby.
I’m often amazed at the depth of feeling children display during these play episodes. But if play is a child’s work, perhaps I shouldn’t be.
Let’s pretend, Cory, the lead teacher of the Rainbow Class, just hung up the sand painting masterpieces created by her kids. Just as she steps back to admire their work, Mary, from the Sunbeam Class comes in and starts ripping them down. That would be shocking and wouldn’t happen in an adult world because Mary would realize what Cory is trying to accomplish and could see it from her point of view.
Point of view, that’s the tricky part. Young children can’t do it. They’re in that pre-operational stage of development that Piaget talks about. Micah wants to dig, Jesse wants to fill. It’s as simple as that, and that’s what all of the drama is about. And that’s why some conflicts benefit from a little adult intervention.